Introducing
The New The Digital Drive™ Series Subwoofers
Since the introduction of the first High Gain Servo system
in 1983, Velodyne's servo-controlled subwoofers have defined -- and redefined
-- the reference in low-frequency performance. Twenty years after Velodyne's
introduction of the world's first low-distortion, high definition subwoofer,
Velodyne now introduces a new revolution in subwoofer design -- the first
microprocessor-controlled all-digital subwoofer.
The Digital
Drive™ Series consists of four
totally new digital subwoofers - the DD-10 (10" driver, 8" piston
diameter), the DD-12 (12" driver, 9.7" piston diameter), the DD-15
(15" driver, 12.7" piston diameter), and the DD-18 (massive 18"
driver, 15.2" piston diameter). Built to be as small as physically
possible, they still deliver musical accuracy and visceral, ultra-low bass
that you actually feel. Digital Drive™ subwoofers raise the standards by
which subwoofers are measured to a new high.
Concepts
and Goals
The first major challenge
to accurate subwoofer performance is over-coming shockingly high levels of
distortion that make most subwoofers muddy, boomy, and lacking in definition
and clarity, especially at higher playback levels. Velodyne's patented
accelerometer-based High Gain Servo (HGS) technology, used initially in the
ULD Series and later in the HGS Series subwoofers, lowers distortion at all
frequencies and playback levels to less than 1%. This technology established
Velodyne subwoofers as the benchmark by which all others have been measured
over the past 20 years.
Another often
overlooked factor that dramatically affects a subwoofer's performance is how
the room's shape, size, and appointments impact the reproduction of the audio
spectrum. The room always creates anomalies in the subwoofer's frequency
response, and can wreak havoc in the interaction between the subwoofer and
the main speakers. Unfortunately, this phenomenon is little understood and
worse, requires extensive additional technology and training to understand
and correct. For the first time, Velodyne's Digital Drive™ Series subwoofers can
display these room anomalies visually and provide the tools to correct them,
allowing you to optimize the sub's performance regardless of its position,
where in the room you listen, and the room's shape and size.
Room Management Technology: The
Digital Drive™
Digital Drive™ Series subwoofers
feature Velodyne's new, revolutionary Digital Drive™ room management technology. This
latest Velodyne innovation allows the subwoofer's frequency response to be
measured using a calibrated microphone and viewed graphically on any standard
TV. The on-board 8-band digital graphic/parametric equalizer can be used to
optimize the subwoofer's performance for any position in any room.
Additionally Digital Drive™ subwoofers also offer complete control over crossovers
(both subsonic and low pass), slopes, phase, and polarity, which allows
perfect matching of the subwoofer to any speakers in any environment. All
Digital Drive™ subwoofers come
complete with a microphone, cables, and remote.
You've probably heard that room placement is an important
factor in subwoofer performance. Digital Drive™
technology allows you to actually see the response for any sub location and
listening position you may choose. And, if your room placement options are
limited, you can be sure that the location that is chosen will be optimized
for maximum performance.
Presets: A Musical and a Theatrical
Subwoofer All In One
All Digital Drive™ subwoofers come
preprogrammed with four listening mode "presets" for Action
Adventure, Movies, Rock/Pop, and Jazz/Classical. There are also Custom, and
EQ Defeat presets. Each preset can be totally customized for crossovers and
phase, feature an "extra" equalizer, and can have their volume set
differentially from the system volume. Each preset also has a
"theater/music" setting that allows the sub to play louder (e.g.
for movies) or tighter (e.g. for music) depending on the source content. No
more compromise between a "musical" sub and a
"theatrical" sub! The theater/music selection by preset is another
of the many firsts in the Digital Drive™ Series.
Microprocessor
Controlled
Digital Drive™ subwoofers are
controlled by a computer chip from Texas Instruments®. All video
and audio processing is controlled by this chip. The unit can be commanded
via RS-232 port by universal remotes such as from Crestron - another Digital
Drive™ first. Multiple Digital
Drive™ units can be daisy
chained together and controlled from one source. The software for Digital
Drive™ subwoofers can be updated from Velodyne's web site, so you will always
have access to new features incorporated into later designs.
Cone
Control Technology: Digital High Gain Servo™ System
Velodyne engineers
further increased the accuracy and lowered the distortion of the Digital
Drive™ Series by including the
latest generation of Velodyne's patented High Gain Servo™ system. This technology
uses a proprietary, sealed, digital accelerometer to measure, compare and
control cone movements 16,000 times a second (up from the 3,500 times per
second featured in the HGS Series) in order to correct for any distortion.
This provides the highest definition and lowest distortion available (as low
as .5%). The result is the ultimate in subwoofer accuracy and impact.
Amplifier
Technology: The Digital Energy Recovery Amplifier™
Conventional (Class A/B) amplifiers convert about 50% of
the energy they draw into output, making them too inefficient to generate the
tremendous power needed for a truly high performance subwoofer. Velodyne's
patented Energy Recovery Amplifier™, a transformer-less Class-D Digital
design, is the most efficient audio amplifier ever built. At better than 95%
efficiency, it is limited only by the power it can draw from a wall outlet!
Using 1250 watt RMS (over 3,000 watts of Dynamic power) Energy Recovery Amplifiers™,
Digital Drive™ subwoofers incorporate
more usable power than any subwoofer in history except Velodyne's own
Signature 1812.™
Driver
Technology: Dual Tandem Voice Coil and Kevlar-Reinforced Cones The drivers used in the Digital Drive™ Series provide
extremely high power handling with less than half the distortion of
conventional designs. These innovations center on the driver's revolutionary
Dual Tandem Voice Coil, which is 3" in diameter and over 6" in
length, ensuring over 1-1/4" of excursion. The huge magnet structure and
2-layer aluminum clad copper wire provides high power handling capacity and
linear motion. In addition, all DD drivers feature incredibly light, stiff,
low resonance Kevlar-reinforced cones, custom designed variable thickness
EPDM surrounds and custom die-cast aluminum baskets.
Cabinet Design
These massive drivers and
the corresponding electronics are housed in a new state-of-the-art,
computer-designed cabinet. Striking to look at in real maple or cherry
veneers, or in lustrous black lacquer, the cabinet has been engineered to
eliminate resonance and create stability. Finally, a set of milled aluminum,
acoustically-isolated feet are included on the DD-15 and DD-18, while a set
of rubber isolating inverted cone feet are included on the DD-10 and DD-12.
The
Digital Drivetm Series
Specifications
Model Number
DD-10
DD-12
DD-15
DD-18
Cabinet (H/W/D) (inc. feet)
11.75" x 11.75" x 13.5"
14.5" x 14" x 15.5"
20" x 18" x 17.75"
23" x 21.25" x 19.25"
Frequency Response
18 Hz to 120 Hz +/-3 dB
17 Hz to 120 Hz +/-3 dB
15 Hz to 120 Hz +/-3 dB
14 Hz to 120 Hz +/-3 dB
Harmonic Distortion
<1% (typical)
<1% (typical)
Less than 0.5% (typical)
Less than 0.5% (typical)
High Pass Crossover
80 Hz at 6 dB/octave
80 Hz at 6 dB/octave
80 Hz at 6 dB/octave
80 Hz at 6 dB/octave
Low Pass Crossover
15 Hz to 199 Hz (variable in 1 Hz increments)
6/12/18/24/30/36/42/48 dB per octave slope (variable) Default: 80 Hz @ 24
dB/octave
15 Hz to 199 Hz (variable in 1 Hz increments)
6/12/18/24/30/36/42/48 dB per octave slope (variable) Default: 80 Hz @ 24
dB/octave
15 Hz to 199 Hz (variable in 1 Hz increments)
6/12/18/24/30/36/42/48 dB per octave slope (variable) Default: 80 Hz @ 24
dB/octave
15 Hz to 199 Hz (variable in 1 Hz increments)
6/12/18/24/30/36/42/48 dB per octave slope (variable) Default: 80 Hz @ 24
dB/octave
Subsonic Filter
15 Hz to 35 Hz (variable in 1 Hz increments)
6/12/18/24/30/36/42/48 dB per octave slope (variable) Default: 15 Hz @ 24
dB/octave
15 Hz to 35 Hz (variable in 1 Hz increments) 6/12/18/24/30/36/42/48
dB per octave slope (variable) Default: 15 Hz @ 24 dB/octave
15 Hz to 35 Hz (variable in 1 Hz increments)
6/12/18/24/30/36/42/48 dB per octave slope (variable) Default: 15 Hz @ 24
dB/octave
15 Hz to 35 Hz (variable in 1 Hz increments) 6/12/18/24/30/36/42/48
dB per octave slope (variable) Default: 15 Hz @ 24 dB/octave
Phase
0 to 180 degrees (variable in 15 degree increments)
0 to 180 degrees (variable in 15 degree increments)
0 to 180 degrees (variable in 15 degree increments)
0 to 180 degrees (variable in 15 degree increments)
Polarity
Adjustable (+/-)
Adjustable (+/-)
Adjustable (+/-)
Adjustable (+/-)
Amplifier (Class D)
1250 watts RMS
(3000 Peak)
1250 watts RMS
(3000 Peak)
1250 watts RMS
(3000 Peak)
1250 watts RMS
(3000 Peak)
Woofer (Forward Firing)
10" (8" piston diameter)
12" (9.7" piston diameter)
15" (12.7" piston diameter)
18" (15.2" piston diameter)
Magnet Structure
310 ounces (19.3 lbs)
310 ounces (19.3 lbs)
380 ounces (24 lbs)
380 ounces (24 lbs)
Voice Coil
Tandem 3-inch push-pull
Tandem 3-inch push-pull
Tandem 3-inch push-pull
Tandem 3-inch push-pull
Inputs
-
-
-
-
LFE (Mono)
Line Level (RCA),
Balanced (XLR)
Line Level (RCA),
Balanced (XLR)
Line Level (RCA),
Balanced (XLR)
Line Level (RCA),
Balanced (XLR)
Input (L&R)
Line Level (RCA)
Line Level (RCA)
Line Level (RCA)
Line Level (RCA)
Microphone
Balanced (XLR, cable included)
Balanced (XLR, cable included)
Balanced (XLR, cable included)
Balanced (XLR, cable included)
Speaker Level (L&R)
Bare wire, banana plugs, or spade lugs.
Bare wire, banana plugs, or spade lugs.
Bare wire, banana plugs, or spade lugs.
Bare wire, banana plugs, or spade lugs.
Outputs
-
-
-
-
Thru (L&R)
Line Level (RCA)
Line Level (RCA)
Line Level (RCA)
Line Level (RCA)
Output (L&R)
Line Level (RCA)
Line Level (RCA)
Line Level (RCA)
Line Level (RCA)
EQ Output
Line Level (RCA) for Test Signal L/R and Video (cables included)
Line Level (RCA) for Test Signal L/R and Video (cables included)
Line Level (RCA) for Test Signal L/R and Video (cables included)
Line Level (RCA) for Test Signal L/R and Video (cables included)